ANA Oyo Presentation of book/kickoff of Yusuf Ali Literary Awareness Campaign held alongside the special literary session in honour of Late Prof. Akinwumi Isola

Presentation of book/kickoff of Yusuf Ali Literary Awareness Campaign held alongside the special literary session in honour of Late Prof.  Akinwumi Isola. The programme featured dignitaries such as Prof. Femi Osofisan, Prof. Mathew Umukoro, Prof. Duro Adeleke and Dr. (Mrs.) Ajibola, Zonal Director of National Library. Copies of the book were presented to students of selected schools as well as parents for onward delivery to their wards.

                                                    

Concise Review of Three Titles from the Nigerian Writers Series 2 (NWS)

Concise Review of Three Titles from the Nigerian Writers Series 2 (NWS)

https://www.dailytrust.com.ng/a-hard-look-at-nws-children-s-literature.htm

By Nathaniel Bivan | Publish Date: Sep 2 2017 2:00AM

https://www.dailytrust.com.ng/a-hard-look-at-nws-children-s-literature.html

Recently, the Nigerian Writers Series (NWS), an imprint of the Association of Nigerian Authors (ANA) released three books in its Children’s Literature series. These include ‘The Loyal Queen’ by Chinyere Obi-Obasi, ‘Oma the Drummer Queen’ by Salamatu Sule, and ‘The Golden Girl of Galma’ by Kabir Abdullahi. Bookshelf takes a look.

The Golden Girl of Galma

This book, written by Kabiru Abdullahi has an attractive cover illustration, thanks to the handwork of two artists, Mustapha Bulama and Akila Jibril. But perhaps the artwork should have been allowed to spread to the back, just as it is in page twenty-two and twenty-three on the inside. 

Anyway, ‘The Golden Girl of Galma’ begins with suspense, certainly a necessary ingredient in any story. Where did Atine, the kidnapped girl come from and why was she kidnapped? Where did her kidnapper come from and why did he kidnap her? Apparently, Atine was married off to an illiterate herdsman by her captors, a choice she would never have made. But where is this story headed?  There’s a flashback, and a reader is taken to a time when Atine, who is a princess, rejected all the men paraded before her by her father, the king. She had chosen none of them and treated them with disrespect because, among other things, they couldn’t read or write. 

There are a number of things totally wrong about this story. One of them is the fact that Atine’s kidnappers and husband come out victorious at the end of the story (even if he, the so-called husband, did apologise). This is not a good lesson for children, especially at a time when kidnapping is a great challenge in Nigeria and Boko Haram terrorists kidnapped the Chibok Girls. An experience that doesn’t necessarily involve a crime may have served better to teach Atine a lesson on pride or why she shouldn’t look down on others.

Also, in this technology age, children are actually smarter than this writer may imagine. Atine’s behaviour while in captivity is very unrealistic. Why didn’t she attempt to run away, even once? Why did she simply accept her predicament as though it’s a trivial matter to be forced to marry and sleep with a stranger under the same roof? 

Again, there’s the issue of faulty use of language in the work. Perhaps better editing could have easily solved this. For example, the first paragraph in page 19 reads: They too, sometimes, looked admiringly at her. She had her mother’s ‘good look’ (instead of good look(s)) except that her mother’s face had wrinkles due to age.

From page 34: For two hours, Atine and the man lived together in ‘a difficult circumstance.’

Fair attempt and good luck to Abdullahi, but this book sure needs a lot of work.

Oma the Drummer Queen

Salamatu Sule is a book reviewer and literary agent. Her story, ‘Oma the Drummer Queen’ narrates how Oma, a girl takes over from her father the masculine role of drummer in the kingdom of Ebedi Iseyin and becomes a star. 

The cover art of this book, handwork of Akila Jibril, is commendable. A story like ‘Oma the Drummer Queen’, which shows how a girl achieves her dream in a male-dominated environment is timely. Unfortunately, Oma’s father remains the central character for most part of the story and Oma appears more as a secondary character after his death. Children would identify more with Oma if she had appeared in the story from the beginning.

A few omissions and confusion of tenses reduced the strength of this work, especially because it’s a work targeted at children. For example, in page 33, drummer was spelt ‘drumer’. 

From page 34 to 35 the use or mixture of tenses are confusing: One night, Asake and her daughter sat outside over a meal of Amala and Ewedu when they heard the cries of the king’s town crier. ‘Gwom! Gwom! Gwom! He beats his gong in announcement. He beats it three times. 

Still, children would be inspired by this tale which is a good effort.

The Loyal Queen

This book has an unattractive cover art. Although the story is an attempt to show, through the character of Ochugbo, the king’s barren first wife, that one could rise above her situation, a major error ruined the tale. 

The king, in search of an heir, gets married to several wives, based on the story. However, from page 9 to 12 there’s repetition. Ifeoma is said to be the king’s second wife. She’s also described as a gossip. The seventh paragraph on page 9 reads:

Eventually everyone came to know she was a gossip and stopped telling her things. But being a very clever lady, she had a way of asking her questions and getting the answers she wanted. She would start by showing so much sympathy and love and before you knew it, you have revealed your secrets to her. 

Again from the last paragraph of page 11, Okwuchi is said to be the king’s fourth wife and is described almost exactly the way Ifeoma was:

Everybody understood she was a gossip, as she freely shared whatever information she had. She would always make you believe that you were the only one she was telling so she would say, ‘please keep it to yourself. You are the only one I am telling this.’ Eventually everyone came to know she was a gossip and stopped telling her things. But being a very clever lady, she had a way of asking her questions and getting the answers she wanted. She would start by showing so much sympathy and love and before you knew it, you have revealed your secrets to her.

 These significant errors and the poor illustrations in this book would make it hard for children to follow and enjoy it. This is sad, but a second edition could save the day because the author clearly has a lesson to pass across. Ochugo is the example of a strong woman who is secure in a situation where many in her shoes wouldn’t be.

https://www.dailytrust.com.ng/a-hard-look-at-nws-children-s-literature.html

Concise Review of Ten Titles from the Nigerian Writers Series 1 (NWS)

Concise Review of Ten Titles from the Nigerian Writers Series 1 (NWS)

By Su’eddie Vershima Agema

Have you heard about the Nigerian Writer Series (NWS)? No? It is a publishing imprint of the Association of Nigerian Authors (ANA), modelled after Heinemann’s African Writers Series (AWS). The AWS pioneer editor was the literary legend Chinua Achebe. The Nigerian Writers Series was started with a ten million naira grant given to the Association by Governor Aliyu Babangida Muazu of Niger state in 2012. In 2013, submissions were received all over the country and ten manuscripts were selected from the pool by the Series editors: Unoma Azuah, Tanure Ojaide and Chuma Nwokolo. The manuscripts were published in November 2014 by four publishing consultants to the NWS: Parresia, Kraft Books, Jemmie and The Book Company. Presented here (as taken from the blurbs) are the ten servings from the NWS kitchen… 

BURNING SAVANNAH

Burning Savannah echoes the menace terrorist groups like Boko Haram inflict on Northern Nigeria even as it convincingly captures the ethno-religious conflict in Jos. In the midst of this chaos is a story of love.

Emeka, an Igbo resident of Haliru Street, Jos, falls in love with Hauwa, a Hausa-Fulani girl. The city-dwellers frown at the relationship, describing it as “haram”, evil. Unknown to the lovebirds, Hauwa is betrothed to Hassan, the son of a popular Sheik who happens to be the father of the leader of the Muslim Brotherhood in Jos.  Trouble starts for the young lovers when they are caught pants down by Hassan. The crisis that ensues does not only engulf the innocent lovers, it engulfs the entire city.

Anugba Chikwendu is from Umuchieze in Abia State. He is a graduate of Materials and Metallurgical Engineering from the Federal University of Technology, Owerri. Currently, he is an Assistant Superintendent II in the Nigerian Customs Service.

CAT EYES

Cat Eyes is the story of Pededoo, a country boy, who struggles to maintain a civil relationship with his father who has just returned home after many years abroad with a family of Cat Eyes (a white family).

Despite Pededoo’s resentment for his father and the new family, he is hardly able to resist and truly dislike Melissa-Jane, the amiable and dashing cat-eyed blonde. Cat Eyes is a bildungsroman, a book of family, adventure, self-discovery and love that would take readers on a voyage they would hold dear.

Pever X’s real name is Pever Martins Paul Aondofa Marie. He is a trained accountant, student member of the Institute of Chartered Accountants of Nigeria (ICAN) and Managing Partner of PEA and Associates, a firm into everything in the book industry. In 2013, Pever emerged first runner-up for the ANA Prize for Prose Fiction with his book, Cat Eyes. He lives in Makurdi. Cat Eyes is his first published book.

CRIMSON CLOUDS

Crimson Clouds by is a rollercoaster ride into the world of deceit, power, crime, politics and relationships. It is the story of two people from extreme worlds who decide to fight for their right to love each other against all odds. In the process, they find themselves on a quest for justice and become the hope of a nation that wishes to bring evil-doers to justice. While written with a political nuance and a plot that progresses fast, Crimson Clouds is ultimately a love story that explores love as it rises above difficult circumstances and triumphs in a world turned upside down by greed and injustice.

Ayodele Arowosegbe is an essayist, literary blogger, and media professional. His works have appeared in SAGE, a lifestyle magazine, and Inscribed, an online literary magazine. In July 2011, he co-founded the Literary Café, now LitCaf Nigeria, an outfit that seeks to promote creative writing as a social consciousness in Nigeria. Ayodele completed a Master’s degree in Media Enterprise at the School of Media and Communication, Pan Atlantic University, Lagos. He currently does freelance media consulting and blogs at Ideology’s Corner. Crimson Clouds is his first Novel.

CUPID’S CATAPULT

Cupid’s Catapult is a collection of twelve short stories set in Nigeria, depicting how love relationships often begin and blossom. From Lawrence who comes to Amina’s rescue in “Baggage to Love”, until we meet Kate in “Subtle Changes”, who after her stepfather’s death, moves to her benefactor’s house where she slowly loses her heart to Jude, Cupid keeps aiming and shooting, spinning this universal emotion as he pleases. The stories in this collection show us the many faces of love within life’s potpourri of laughter and pain. Above all, they urge us to keep believing in love despite all odds.

Hannah Onoguwe spent most of her growing-up years in Jos where she discovered her love for writing. She studied at the Universities of Ibadan and Jos. Her work has appeared in various journals in print and online. She enjoys travelling and has a weakness for romantic comedies.

PATROITS AND SINNERS

Patroits and Sinners x-rays a typical under-developed country bedevilled by corruption and sundry ills. Siella, the stubborn and self-willed daughter of the President is in the centre of the story. Siella refuses to school abroad, choosing instead to confront the rot in her home country. She becomes a victim of a high-profile kidnap saga that brings her face-to-face with the rampaging evils that hold sway in the country she loves unflinchingly. When she meets the patriots, a group of deadly, dare-devil men, she is forced to see the other side of crime and to assess patriotism from a different angle. It is a story of love, crime, betrayal, corruption and above all, hope.

Nnenna Ihebom hails from Mbieri in Mbaitoli Local Government Area of Imo state. She is married into the Ihebom family of Umuomi Uzoagba in Ikeduru Local Government Area of Imo state. She wrote her first story book, The Rejected Stones in 2007. Her novel, The Web, won the ANA/Chevron prize for environmental writing 2009. She has a passion for Igbo writing and also won the ANA/Ken Nnamani prize for Igbo literature 2007.

SOUZA BOY

Souza Boy is a moving account of a motherless Nigerian boy who is born in Cameroon and grows up with his father to become inextricably involved with the foreign surroundings in which he is birthed. But a sudden relocation into a supposed “Land of Promise” soon casts a terrible cloud upon him and the bliss he once experienced abruptly turns into nightmares, a shocking experience from which he never recovers. The result is a gripping work of art – a work of art committed to its artistic values. The author, with remarkable deftness, takes his readers on a gripping voyage from Cameroon to the West African nation of Nigeria to produce a literary piece which is unputdownable.

Elias Ozikpu is a playwright, autobiographer, novelist, student, and a social commentator. He was born in Souza, the Littoral Region of Cameroon but hails from Obudu, Cross River, Nigeria.

THE ANGEL THAT WAS ALWAYS THERE

 

The Angel That Was Always There talks about single parenting in the Niger Delta. It is a true-life account of the author who is himself a product of a single parent.

Julius Bokoru is an essayist, historical-fiction writer and memoirist. His works have been featured on various local and international literary magazines. In 2012 the government of Bayelsa state named him among the 50 most influential people of the state for his literary contributions.

THE OATH

 

The Oath is about Ojeiva Jumbo, a poor school teacher, who realizes he needs to get involved in partisan politics and secure power to save his people from the onslaught of poverty, violence and illiteracy in the fictional state of Azayi State.  But this power will not come free as he will require the assistance and connections of a powerful godfather. Jumbo is made to take an oath to reward his godfather financially when he becomes the governor which he will break eventually, drawing the ire of forces hell-bent on destroying him. Jumbo will however survive plots against him, and work hard to fulfil his mission in the government house in this suspenseful political thriller.

Habib Yakoob was born in Okene, Kogi State. He had his first degree in Mass Communications from Bayero University and second degree in Media Arts from University of Abuja. He has published several   articles, and written many yet-to-be published short stories and poems. His play, The Ugly Ones Refuse to Die, published in 2004 has been on the reading list of secondary schools   since 2006.

THE RIGHT CHOICE

The Right Choice is a novel about a group of young military officers who, under the leadership of Brigadier Saleem Sa’ada, strikes and overthrows the regime of General Danjuma. The new military victorious. She will instantly become a world political figure who will set about to actualise her vision of a united economically and politically vibrant African continent. Government designs a five-year transition programme to shift power to a democratically-elected government. As the elections approach, the UPP, a political party, lobbies Sameera, a radical writer and journalist, to accept its presidential ticket. After a heated race, Sameera emerges.

Zaharaddeen Ibrahim Kallah is a Kano-born writer. He holds a B.Sc. Sociology/Political Science, and Masters in Development Studies. He is a bilingual writer, writing in English and Hausa languages. He works with the Directorate of Academic Planning, Bayero University.

THE THRESHING FLOOR

The Threshing Floor is a collection of a dozen short stories that has just a bit of everything. From religious hypocrisy, marital infidelity and human deception and fraud, to spiritual mysteries, the limits of justice (in our land), the many and uncertain shades of love, and the redemptive value of suicide, Isaac Attah Ogezi skilfully and sensitively explores the human condition in its social, psychological and spiritual dimensions. The stories are both universal and uniquely individual as everyone can identify with one or another of the characters whose experiences are portrayed in The Threshing Floor. The author’s mastery of language and power of narration will surely seduce any reader.

Isaac Attah Ogezi is a legal practitioner and writer. His published works include: Waiting for Savon (2009), Casket of Her Dreams (2010), Under a Darkling Sky (2012), Embrace of a Leper (2013) and The Threshing Floor (2014). In 2014, he was nominated for both the Soyinka Prize for African Literature and NLNG Prize for Nigerian Literature for his Under a Darkling Sky.

So, there you have it! The books as told by the blurbs… What do you think? Interesting enough? Go grab a copy and see why the Editors took these ones from a full pool… And please, don’t forget to share your thoughts too. You can follow Nigerian Writers Series on twitter @NWSBooks or like the facebook page.

Su’eddie blogs @ http://sueddie.wordpress.com and tweets @sueddieagema