"THE
ROAD TO BAUCHI AND OTHER POEMS: A CONCISE REVIEW
by Sani Gambo, PhD
by Sani Gambo, PhD
Denja Abdullahi's
new book, "The Road to Bauchi and Other Poems", is a slim volume of
42 short poems grouped into 4 sections, namely: "Bauchi Poems",
"Haiku Poems", "Of People and places", & "Receding
Song". This poetic harvest is a carnival in a way, a feast of creativity
which is lyrical, nostalgic, & contemplative in parts. It is a festival of
life & a celebration of humanity. In this volume, especially in the section
titled "Bauchi Poems", Bauchi, herself a symbol of Northern Nigeria,
assumes the status of a protagonist, a heroine which the poet celebrates and
interrogates from different angles, with allusions to several features,
physical & historical landmarks, & personalities.
The poems reflect
the beautiful landscapes of Northern Nigeria through graphic description of her
geography & natural environment. In this guise, the poet engages in
critical social commentaries on human life & existence in Northern Nigeria
in a language that is simple, lucid, & descriptive. In the section,
"Haiku Poems", the poet, in his usual experimental approach, delves
into the Japanese tradition of haiku poetry. A haiku poem is usually composed
of three unrhymed lines of seventeen syllables. In his quest for novelty, the
poet goes on to reproduce some of the poems in the Japanese script. "Of
People and Places" is a group of poems either inspired by, or dedicated to
cherished personalities & places in Northern Nigeria where the poet lives
most of his life. Some of these poems are philosophical in the way they
contemplate the nature of human existence, while others are nostalgic in tone.
"Songs of My Fathers", the only poem in "Receding Song",
uncovers the poet's relentless search for rest in a world of chaos &
unrest. "The Road to Bauchi and Other Poems" is an arresting
collection on various thematic subjects. The poet's adventurous imagination is
manifest in the experimentation with haiku poetry.
The language of
the poems is simple & inviting to the average reader. As a book which can
be described as poetry for everyman, Denja's work is undoubtedly a worthy
contribution to the African tradition of letters.
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